Gallery

Textured Painting – 70 × 50 cm

Dystopia captures a tension between order and disruption, where vertical structures and layered textures do not illustrate a scene but embody a condition of unstable presence. Through deliberate strokes and contrasting surfaces, the work suggests not a literal cityscape but a felt architecture of restraint and release.

The interplay of light and shadow across textured planes evokes a world both familiar and unmoored—shapes that rise only to dissolve, rhythms that command attention but resist certainty. This piece invites the viewer to experience a psychological terrain of tension, where form, void, and reflection intersect to reveal the unseen pressures beneath appearance.

Rather than presenting a narrative, Dystopia asks the viewer to inhabit its space emotionally, making sense of the unresolved and engaging with depth as a space of lived intensity.

Acrylic with rich texture.

Textured Painting – 60×40 cm

A combination of rough textures and bright yellow strokes that cut through the greys like light breaking through.
The piece carries a sense of movement—as if mist and light have dissolved into one another, with no clear boundary between them.
Acrylic with heavy texture on canvas.

A fusion of deep burgundy, earthy textures, and golden shine…

This 70×30 cm piece is built on contrast and energy; the marks of the palette knife trace a story of growth and resilience.

Acrylic and gold leaf on canvas. 

Textured Painting – 60 × 40 cm

Faces is a study of human presence distilled into texture, gesture, and contrast. Rather than depicting literal visages, the work captures the imprint of identity through layered acrylics and subtle interplay of lights and darks. Soft forms emerge and dissolve within the surface, suggesting flickers of expression — moments of introspection, vulnerability, and silent dialogue with the viewer. The textured surfaces act not just as background, but as recorded traces of emotion and memory, where each mark becomes a fragment of a face, a fleeting expression caught between recognition and abstraction.

This piece reframes the idea of “face” from physical portraiture to an inner landscape of presence and perception, inviting the observer to complete what is suggested, not shown.

Acrylic with nuanced texture.

Textured Painting – 50 × 70 cm

Autumn Eyes brings together deep burgundy, earthy textures, and controlled strokes of golden acrylic, moving beyond surface beauty to reveal an inner narrative of transformation and resilience. Broad palette‑knife marks shape the canvas like a landscape molded by time—dense, tactile, and poised between stillness and motion. The dialogue between warm, grounded tones and subtle golden highlights evokes autumn not merely as a season, but as a psychological state: a space of maturity, memory, and quiet intensity.

Rather than depicting autumn literally, this work makes its weight and warmth palpable, presenting change not as a fleeting event but as an emotional and contemplative experience.

Acrylic with texture and golden acrylic highlights.

Textured Painting – 100 × 70 cm

Dystopia II extends the visual tension of its predecessor while deepening the exploration of controlled disruption and structural interplay. Vertical and diagonal textured strokes interact across the surface like fragments of an unstable skyline — not a city of promise, but one in flux, compressing and stretching itself between chaos and order.

The layered acrylic surfaces suggest a world both familiar and alien, where geometry is disrupted yet persistent, and contrast becomes a language of conflict between what is expected and what actually persists. Rather than depicting a literal landscape, this work embodies the very condition of dystopia—a lived space of tension where stability is never assured, and every mark carries the memory of pressure and resistance.

This piece invites the viewer into an active encounter: not to observe dystopia from a distance, but to feel its gravitational pull inside, where every texture is a trace of struggle and endurance.

Acrylic with rich texture.

Textured Painting – 100 × 70 cm

In this work, dark and warm layers coexist with golden highlights, creating an abstract and weighty atmosphere suspended between collapse and survival. The vertical forms suggest urban-like structures—standing yet eroded—reflecting the remnants of a silent civilization. The golden circular element near the top appears as a distant light source or symbolic presence, establishing a strong contrast with the surrounding darkness. In the lower section, reflected light and color introduce a sense of stillness and suspension—not a peaceful calm, but a pause before an uncertain transformation.

Acrylic with heavy texture on canvas.

Textured Painting – 60 × 40 cm

S Dystopia pushes the conceptual tension of the “Dystopia” series into a more fragmented, introspective terrain. Through bold textures, dynamic marks, and the interplay of light and shadow, the work suggests not a single narrative but a splintered experience of space and condition — like viewing a world from multiple, overlapping perspectives.

Shadows and highlights interact in a rhythm that feels unstable yet purposeful, evoking the emotional residue of disruption rather than its literal image. This piece invites the viewer into a dialogue with ambiguity, where familiar forms dissolve into echoing traces of structure, memory, and expectation.

Rather than depicting a dystopian scene, S Dystopia captures the psychological imprint of disarray, asking the viewer to complete the fragmented story through their own perception.

Acrylic with textured surface.

Three Pieces — Textured Paintings
• Two works 20 × 20 cm
• One work 20 × 40 cm

3rd Dim is a triptych exploring perceived depth beyond the flat surface. Layers of acrylic, along with integrated fragments of mirror and ceramic, create reflective and tactile interplay, inviting the viewer to experience space rather than just observe it.

The two 20 × 20 cm pieces act as concentrated points of texture and reflection, while the 20 × 40 cm panel stretches the visual dialogue into a flow of tension and presence. Together, they transform the flat medium into an interactive, multidimensional experience.

Acrylic with textured surface, mirror and ceramic elements.

This option allows you to order a painting in the style of the Roshan Gallery collection. The painting can be created in your preferred dimensions and color combinations. A prepayment is required, and the preparation of the artwork typically takes 7 to 10 business days. The remaining amount will be determined based on the complexity of the work and the size of the painting. Once the artwork is completed, an image will be sent for the buyer’s review and approval. After approval, the remaining payment will be collected and the painting will be delivered.